Photographs taken by Audrey on an art club day out in gardens by the River Ure
Bellows sketched by Barbara
Nine members of the Art Club and friends from Kent attended a challenging watercolour workshop led by Paul Talbot-Greaves, who attempted to free up our painting styles. Paul has written extensively about watercolour painting and runs courses and workshops throughout the UK. We were fortunate to have such a talented and patient tutor, who gave an excellent demonstration of a very loose style of landscape painting, which inspired us to have a go ourselves. Paul’s excellent advice and encouragement helped us all to become ‘loose women!’
Colin Swinton gave a demonstration of how to create granulating colours in watercolour washes. He showed where to use them, how to graduate colour washes and add dry brush strokes.
Colin recommended using cold pressed watercolour paper (“not” paper). Rough watercolour paper could also be used. Hot pressed paper and stretched “not” paper did not work well.
Of the many colours that granulate, Colin chose some popular ones in combination to demonstrate the effect of granulation and colour separation.
• Burnt sienna and french ultramarine blue.
• Lemon yellow and french ultramarine blue.
• Raw sienna and cerulean blue.
• Cobalt violet and raw sienna.
As a demonstration painting, Colin chose a cottage scene. It was roughly drawn to create interesting shapes. He started with some brown on the cottage.
He then made a wet wash sky using two mixes of blue and encouraged separation by tilting the paper to move the wet washes across the paper, adding dark colours to create more interest.
He painted the foreground in yellow and added darker dry brushwork for a textured look.
The cottage was brought forward with the dark green trees and a graduated red across the roof.
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The finished demonstration painting illustrating the techniques of granulation, graduated colours and dragged dry brush