Sketching in Pateley Bridge

Another sunny day for our sketching in Pateley Bridge.

Four of us met in The Talbot Tea Rooms before image3choosing where to sit for our drawing. It wasn’t long before one realised that a knowledge of perspective was essential but, because the High St goes uphill, the drawing seemed much more difficult.

Even though it was Monday there were plenty of people about and traffic. Joan and Audrey were warned that unless they moved from their seat they could be showered by the enthusiastic council watering team!

After lunch we all set off again for another couple of hours before gathering for a much needed cup of tea at 3-15 and to see what we had all achieved. Nothing finished but it had been an enjoyable day.

Report by Audrey.

Members’ Sketches

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Sketching at West Tanfield

Four members of the club enjoyed glorioumargaret_westtanfields sunshine for their sketching around The Bull.
Jill and Philip are always welcoming and have hung all the Turner competition paintings in The Bull.
The area was buzzing with cyclists on a charity race but when they left all was peaceful.
We found a very interesting barn in the village where there is plenty to tempt you with wooden objects, cards and other gifts.
John and Margaret sat by the river Ure, Barbara went to the churchyard and Audrey sat by the bridge to get a different angle on the buildings and later went to the lane to sketch one of the doorways.bward_westtanfield

John climbed up the Marmion tower to the wonderful oriel window but was disappointed not to have us acknowledge him waving to us as we were too engrossed with our sketching!

Images
Bridge over the Ure by Margaret Clapperton.
West Tanfield Church & Marmion Tower by Barbara Ward.

Audrey

Life Drawing with Richard Squire

Richard Squire IMG_8630demonstrated his approach to life drawing. First he establishes the overall shape enclosing the subject so that it will fit the paper. The head “oval” is then drawn to establish a basic component. The body proportions can then be related to multiples of the head height or width using  a pencil at arms length. The angles of the body and limbs can be established with an angled pencil and marked in light pencil. When the  basic shape has been established it can be compared with the subject. The detail can then be drawn without having to adjust for mistakes in the initial drawing layout.

Members’ Life Drawings
Initial sketches at the end of the short evening session, showing successful proportions.

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