Sketching Ripon Walled Garden

Expecting heavy rain showers the six members who came were rewarded with sunshine and warmth. The Ripon Walled Garden is celebrating 25 years of working with young, disadvantaged adults, through horticulture and cooking.

Originally it was the vegetable garden for the historic Bishop’s Palace. Now it has poly tunnels, a shop selling plants, bottles of their own pressed apple juice and things for the garden. And a cafe for the obligatory cuppa and chat before sketching can start.

  

Beyond the walled garden there is a large orchard of rare varieties of apple tree, the oldest being a Nancy Jackson. All the names are fascinating.  The owner, who specialises in fruit trees, talked with members about them. He told Audrey that the main branches of the apple tree should be pruned to allow a pigeon to fly through.

Sitting in the sun,surrounded by trees and flowers and plenty of butterflies , sketching and having lunch prepared for us , what is not to like?

Most members’ sketches were of the wonderfully shaped trees, full of apples.

      

Paintings of the the Nancy Jackson apple trees

Apple Day
On October 14th from 10am to-4pm the Ripon Walled Garden is having an Apple Day when apples will be on show with their names, and pressing will take place. There will also be craft stalls. (This is also the same day as the Art Bus trip to Hull!)
Website >www.riponwalledgarden.org.uk/

Trip arranged by Audrey. Photographs by Audrey, Barbara and Lynn. Descriptions by Audrey.

Richard Squire – Drawing workshop

Richard Squire made a return visit to Pateley Bridge Art Club to demonstrate how he draws a life model. It was a refresher lesson for some with the chance to do better than last year and something new for others.
The lighting of the subject is crucial to produce a lively drawing. For example lighting from above to one side and slightly behind, produces shadows on one side of the face and body.
He quickly showed how to lightly draw the outline to ensure that all the subject will fit on the sheet. He recommends using the head height, starting with a simple oval shape, as the basic unit of measurement to apply to other elements. For example, the overall person length may be 4 or 5 times the head height. Lengths can be based on a pencil held at arms length. Angles can also be reproduced by holding a pencil aligned with limbs or body. It is important to angle the paper at the subject, on a board held nearly vertical to avoid perspective errors stretching the drawing. The closer limbs are often longer than expected, if drawn correctly.
Once the subject has been lightly sketched, the angles and measurement should be checked. It is also useful to check vertical alignments of different parts of the drawing and a final check that the drawing looks right by walking away and coming back to the work with a mind clear of any incorrect imprint. The grays and darks can then be shaded to bring out the third dimension and detail added.

After a quick drink of tea, members then produced quick sketches, with advice from Richard. The model was very good at choosing an interesting pose and holding it, the varied drawings arising from the members’ seating positions.



Richard also brought some sample drawings.