Talk by Tony Noble

Tony Noble gave a talk to Pateley Bridge Art Club on his career and showed us images of his work.


He had a strong grounding in life drawing and portraits in pencil in a local art group.





Tony gave up teaching in 2008 and became a full time artist working mainly in oil on board. He has several in progress to allow for drying times.

He also paints in acrylic and watercolour.

He showed us his early portraits of children.




Tony entered his portraits into the BP Portrait Awards at the National Portrait Gallery and was accepted 5 times.

This double portrait is of his Mother-in-Law and her sister.

He also paints portraits and animal paintings as commissions.




He has a studio in Redbrick Mill in Batley. Many of his paintings include detailed objects associated with the subjects. In many cases, the level of detail and his realistic approach take months to paint.





Tony painted the portraits of a local biker gang and their leader.



His other major subject is of local buildings. He paints old mills, shops, flats, car parks  and old garages. They are realistically painted with every brick detailed. He has painted many in Batley, Marsden and Leeds.

He has had paintings accepted into the RA  Summer Exhibition twice. Paintings have also been accepted in other competitions.


Many images are at wide angles, appearing even more photographic.


Tony also painted a series of garages in various states of repair.

Many more paintings can be seen at


Sketching at Dallowgill

On a glorious day there was another good turnout for the monthly sketching day. The location on a hill farm had good views around, especially from the nearby hilltop tower.

There were interesting buildings around the hamlet, including a Methodist chapel, a former pub and agricultural buildings.


After a welcome coffee from our hospitable hosts, the members spread out to sketch their chosen subjects.

Our hosts found enough chairs for the sharing lunchtime feast and entertained the group with humorous tales from  country life and time spent judging cattle at shows.


These are some of the sketches squeezed in between the distractions.



Demonstration by Helen Cassidy

Local artist Helen Cassidy made a return visit to demonstrate how she paints acrylic landscapes.

Helen’s used a range of acrylic colours. Titanium white, buff, warm grey, prussian blue, indigo, purple, olive green, yellow ochre, burnt sienna.

Helen had already prepared a board with burnt sienna as a background, with crumpled tissue to create random texture. She roughly painted the mountains with a purple/prussian blue mixture.  Using a small brush she added dark rock edges and started to paint the dark banks of the river.

Helen then used a rag to apply browns either side of the river.

She then applied buff colour by rag into the sky. The darker colour showed through a little.

Helen then rubbed the buff on rag over the textured dark hills to produce rocky highlights,  then worked in shadow in indigo/purple with a small brush.

After painting the river loosely in a purple/prussian blue mix, she added various colours to the valley, olive green, yellow ochre and burnt sienna, with a medium brush in a scumble effect. She used darker shades for the lower valley sides.

She added growing vegetation with vertical strokes in yellow ochre and added trees in an indigo/purple mix.

Again using a rag with buff, Helen rolled a mist over the top of the mountains

After adding foliage to the trees, Helen painted in an eye catching white house, completing the demonstration painting.


Demonstration by Jeremy Taylor

Jeremy Taylor is a Yorkshire teacher, artist and demonstrator who mainly paints in oils and watercolour. He came to Pateley Bridge Art Club to demonstrate watercolour landscapes.

Jeremy explained that he had been painting for many years and was self taught. He described how he spends a lot of time thinking about a painting and planning how to do it before commencing.  This enables him to paint quickly, avoiding changes that can ruin a watercolour and achieve a fresh look to the painting.

Jeremy used 140lb (300gsm) branded watercolour paper, as he believes that paper quality is important to achieving good results. He does not stretch his paper as it frees his approach to painting and encourages him to start again on the other side if it goes wrong. He thinks that this happens quite a lot in watercolour painting compared with oil painting which can be corrected more easily.

He usually limits his colours to warm and cool hues of the primary colours. His brushes are usually acrylic, 1.5 inch flat brushes for backgrounds and small round brushes for detail.


For his first demonstration he wet his paper thoroughly with several applications of water, then applied sweeping strokes of blue across the sky with his wide brush. He painted yellow ochre patches and strokes across the foreground, adding darker blue to create lines of hills.

He added trees in various shades of mixed green in the mid ground and background and did some scratching out for tree branches using paint tube caps. As a focal point, Jeremy painted a cottage with a warm colour and etched in a path. The photograph under dim indoor lighting does not do justice to the finished result.

After the break, Jeremy painting a snow scene in limited colours. He wet the paper a little less than the previous painting. He left areas of white paper to show the lighter snow. He washed in blue in various shades.

Jeremy added trees lines and walls, then tree branches with minimal strokes and some fine pencil for the thinner branches. The tree crowns are suggested by a light misting of browns and grey colour, avoiding greens. He added a path then a shepherd and sheep create areas of interest that would balance the composition.

The demonstration showed how results can be achieved with a freer approach to painting. His many suggestions and his dry Yorkshire humour were much appreciated.

Examples of his work
Jeremy brought examples of his paintings in a wide range of subjects. The following are just a sample. The images again suffer from poor lighting and reflections.

All images are copyright of Jeremy Taylor.

Sketching in Hartwith

Audrey arranged a sunny day in an interesting area that we drive through quickly, wondering what the pond is doing there and why there is a toll bridge?  It was time for exploration and a trip to the bluebell woods. But first a morning cuppa.

Meanwhile others had started sketching the house

The wisteria was blooming in the sun

The mill pond across the road was a refuge for the ducks and a cool place for walk

Hag wood, up the road, was full of bluebells, garlic, trees and artists.

Despite the distractions there were good results achieved



Lesley Seeger, artist from North Yorkshire

Lesley Seeger is a North Yorkshire painter of colourful abstract flowers and landscapes, mainly in acrylic in a format of 3 foot square. She has been painting for 25 years and was influenced by her time in Sri Lanka.  She is artist in residence at Burton Agnes Hall.

Her style of painting changed over the years as she experimented with colours and repeated shapes, sometimes a riot of colour,sometimes limiting to a predominating colour. She also used scratching out to reveal colour underneath.

Her work moved towards landscapes, especially of Yorkshire scenes, with the familiar composition of front, middle and distant with a movement through it. Her work progressed from hot colours into lighter, calmer compositions.

Details of her work, with better images of her work than on this blog, can be seen at >

Lesley gave a slideshow of paintings images from 2007 starting with some imagined landscapes as illustrated. 

In 2009 Lesley developed her abstract flower paintings

In 2010 Leslie started to develop sketches into painted landscapes

In 2013 Leslie produced abstract floral paintings as “observed landscapes”

In 2014 Leslie took on more commissioned landscape work


Leslie combined floral and landscape

These are a couple of recent painting that she brought along

Some of Leslie’s more recent work.